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Slaughtered Vomit Dolls (2006)

(NOTE: The sound quality in this film is really bad, and even after multiple viewings, I still couldn't make out everything that was said, so please take my dialogue interpretations with a grain of salt. The film is also incredibly rapidly edited, and most of this is to cut back and forth between two scenes in quick succession. Please forgive me if I don't mention every instance of these cuts, as it seems redundant to do so.)

TL;DR: A teenage runaway who was sexually abused and became a stripper and eventual prostitute, Angela Aberdeen, has nightmares of murders that she herself may have been involved in. She struggles with bulimia and aggressive clients, and eventually commits suicide.

List of the shock-value stuff that happens in this movie, in case you don't want to read the whole summary:

Beat-for-beat plot summary:

An analog TV shows an old tape recording of a young blonde girl sitting in front of a sofa in what looks like a lounge-style room. She speaks directly to the camera, saying "Hello everybody! I'm gonna sing this song for the whole world to see, and you're gonna sing- and it's gonna be good all the time, and I hope you watch it all the time, and this is the first time I've ever been on TV before, and I'm good."

She continues to ramble: "Don't- if you wanna have it... Have after the show please. Ok." She raises her hand above her head in an 'Action!'-type pose, and the title "SLAUGHTEREDVOMITDOLLS" appears in white text on a black screen.

A few close-up shots of a woman with brown hair, who will later be introduced as Angela, are shown. She is looking directly at the camera. She is smiling but appears to be holding back tears. She mumbles something incoherent and then a male voice off-screen asks "Would you do anything for me?" to which she sluggishly nods and says "Yeah."

The male voice asks "Would you do anything I fucking say?"

She slurs her response, still making unbroken eye contact with the camera: "Anything you say."

The audio cuts out briefly, and then she says "I'd die for you. I'd kill for you too."

Angela is then shown asleep in a messy bedroom, her legs exposed. A shot from the recording of the young blonde girl, named in the credits as young Angela, is shown. Shots of a blonde Angela screaming, seemingly being held down, sexually assaulted, and strangled, and further shots of brunette Angela lying in bed are interspersed with brief tape recordings of the young Angela, one where she is outside and saying "This is the trailer park." There are also different parts of her singing performance from the opening scene of the movie, which are dramatically slowed down and reversed.

Split-second shots are shown of blonde Angela naked, beaten, bloodied, and crying, with mascara running down her face. She appears to be begging, but the cuts between shots are too fast to hear what she is saying. At one point she begs "Please, please don't do this," and her 'pleases' are repeated mockingly by a male voice off-camera as she tries to crawl away on her back.

The shots of brown-haired Angela lying in bed reveal that she is not actually asleep, but sobbing with her face pressed down into the pillow. In the shots where blonde Angela is being assaulted, she begins to pray through her tears ("Our Father who art in heaven, hallowed by thy name, thy kingdom come, thy will be done, on earth as it is in heaven, give us this day our daily bread and forgive us our trespasses"). The shots of Angela lying in bed show her beginning to plead to an unseen person, shifting around but still with her face pressed downwards, saying "Don't. Get away from me, please."

Blonde Angela continues to pray in the alternate shots ("and help us to forgive those who have trespassed against us"), while brunette Angela shown lying in bed begins to sing in a slurred voice, the words muffled by the pillow. The prayer continues ("and lead us not into temptation"), while the next shot shows the brunette Angela now sitting upright in bed, wearing only underwear, smiling, and addressing the camera. "It's April 5th," she says "1994." She is then shown lying face-down again, still singing softly. The prayer concludes ("and deliver us from evil"), and brunette Angela's face is shown with a happy, shocked expression in a nighttime setting. She is also shown laughing.

She introduces herself to the camera while shivering, with her teeth chattering: "Hi, I'm Angela Aberdeen."

Blonde Angela is shown saying "This is my pact with the devil. I renounce my Christian faith... I renounce my baptism... I will replace my parents and godparents with demons of hell and spirits of rebellion." She is also having sex with someone who is off-camera in this scene. "I accept the devil's mark," she continues, "As the aversion to crucifix. I accept the devil's number as six hundred, three-score, and six. I do hereby accept the devil. I subscribe my life to the rules of the damned. I promise to give my soul to Satan if he will protect me. At the end of thirteen years, I grant Satan my soul. To replace among the kingdom of hell, I promise to raise my own children, the children of the beast, and promise to kill. Hail Satan. Father. Satan. This is my pact." This is barely understandable because the audio has been slowed down. Her face is brightly lit in this scene.

On-screen text in the next scene reads 'excelcionne hotel: march 31, 1994'. Blonde Angela, her hair in loose pigtails, is shown folded over, sitting on a toilet. She is wearing pink lingerie and clutching her knees. She falls forward, pressing her hands against the white tile floor to support herself while still sitting on the toilet. The toilet brush holder falls over, and dirty liquid spills out. She says something along the lines of "If I explode do you think-" in a slurred voice before completely falling off the toilet and rolling onto her back. "Can you help me out?" she asks the person behind the camera sweetly. "Can you help me?" she repeats, this time with more urgency. She covers her face and reaches for the person behind the camera as they move closer before covering her face completely with her arms. Her hands are wet. She groans and reaches for the cameraperson again after they have moved away, before sitting up by herself and using the bathroom cabinet to pull herself up. Her pink underwear, which were around her ankles, have fallen off in the process. She grips the bathroom door and cabinet in an attempt to stay upright and stumbles toward the camera. She has something written on her chest in marker. She smiles, her face obscenely close to the camera.

Blonde Angela, wearing a snakeskin-patterned dress, enters a bedroom and smiles at the camera. Sitting down on the bed, she remarks to the person behind the camera: "It costs a lot of money for you to fuck me. Do you have it? Yeah, I'm a pretty expensive whore if you don't have my money."

She is shown lying in bed, topless, repeating "I'm an expensive whore," before a cut shows her taking off her dress and bra. The film cuts back to the analog tape from the opening scene, with young Angela standing in front of a field of grazing cows, remarking that they are her friends. Young Angela's voiceover continues even when the shot returns to blonde, adult Angela lying in bed. Extreme close-ups of her face are shown, with her mascara smeared, before she is shown lying in the fetal position.

The next segment is shown in black and white. The on'screen text says 'pig: executed march 31, 1994'. A dark-haired woman (named Victim 1 in the credits) is shown posing for the camera, flipping her hair, and holding her crotch. She is shown fully clothed, sitting on a sofa, holding her nose back to form a snout, and making a pig's grunting noise. More overtly sexual shots ensue of her cupping her breasts, and, again, holding her crotch. She is laughing at first, but then seems to become more serious, even somber, before resuming her routine of sexualized posing and making pig-like facial expressions and noises. This continues until the scene with blonde Angela in the fetal position resumes again.

She is snoring softly and talking in her sleep, mumbling, with the words unclear.

The film cuts back to the black-and-white 'pig' segment, with Victim 1 looking overtly disturbed by something she sees off-screen, even beginning to cry and eventually breaking down into sobs. She begins crying tears of blood and screaming. These shots are interspersed with shots of blonde Angela rolling around in bed and pleading, implying that the 'pig' segment may be part of a dream that she is having. Blonde Angela is shown, again, lying in the fetal position with a bright light being shone on her face. Someone touches her face, pinching her cheek and tilting her head upwards, but she doesn't react. The person pulls down her bottom lip, revealing her teeth, and then pulls open her eyelid to show a small pupil. Blonde Angela soundlessly mouths something.

A shot from the analog tape shows young Angela picking a flower and dashing away with it. The eyelid is left alone and the hand removes from frame. Victim 1 continues to scream as blood pours down her face. A scene, in color, of a corkscrew plunging into Victim 1's eye socket is then shown. It is removed and then plunged into her other eye. Many different angles of this are shown. The perpetrator is wearing black rubber gloves and they are rotating the corkscrew within the woman's eye socket.

Blonde Angela, still in the fetal position, has her eyelid pulled open again, and this time, she breathes in raggedly and her eye rolls up into the top of her head.

Victim 1 is shown having what remains of her eyeballs removed from her head by the person in the black rubber gloves. Blood coats her forehead and the rest of her face. The perpetrator rolls her eye between their fingers before holding it up to the camera and dropping it. They begin the same process with the other eye, this time using the corkscrew to prise it out of her socket, rather than their fingers. Gruesome squelching sounds are heard. Victim 1's face is completely red with blood, making it difficult to tell if she has suffered some other form of facial trauma. The eye falls to the floor. The perpetrator is then shown trying to poke one of the eyes back into its socket using a pair of tweezers, but failing miserably, as it just keeps sliding about. Further shots are shown of the perpetrator messing about in Victim 1's empty eye sockets and repeatedly stabbing into them.

Blonde Angela is shown flipping her hair around, before the film returns to the shot of her in the fetal position. A distorted voice off-screen asks "Are you fucking good right now? Answer me?" while split-second shots of eyes on spikes are shown, then an extended shot of Victim 1 rocking back and forth on all fours in the corner of a room, blood dripping down her face and her eyes missing. The floor of the room is covered in clear plastic, and her eyes are on a glass table in front of her, unbeknownst to her. She feels around for them on the floor, coughing and sobbing, before feeling the table.

She pulls herself up so that she is standing, but crouched over, holding the edges of the table for support and, still rocking back and forth while sobbing, she drools. Suddenly, she goes silent. The blood from her empty eye sockets is dripping onto the glass surface of the table. She sticks her fingers down her throat. There are wet gagging noises, and she pukes onto the glass table. She repeats the process and pukes again, this time a larger amount. She does this a third time. She has unknowingly puked over her own eyeballs, which stare at her from the table.

Blonde Angela is then shown in black and white, an off-screen man gripping a fistful of her hair. She begins to say something in slow-motion but is cut off when the scene shows her, in color, lying on her side and crying. "I'm not here," she says. "I'm not here." The younger Angela from the analog tape is then shown while, in the background, "I'm not here," continues to be repeated. Younger Angela is looking up at something. Older blonde Angela is shown again. "I'm not here," she says and wipes her eyes with the heel of her palm. There is mascara smeared all over her face. "I'm not here, I'm not here, I'm not here." She continues to dry her eyes and rolls onto her back. "I'm not here," she says between sobs.

Brunette Angela is shown naked, standing in a room. She says something like: "The stage is really hard, and it makes me bruise," before a close-up of her face is shown, saying "It's his last time, I promise."

Blonde Angela is seen smoking a cigarette in bed, saying "You're my only friend. You're the only friend I've got. I don't know why." She proceeds to lick the camera. Brunette Angela is shown flipping her hair back.

Blonde Angela is shown in a white, long-sleeved shirt, leaning over the toilet in a white bathroom, one hand against the bowl for support, coughing and dry-heaving. She spits into the toilet, trying to catch her breath, before sticking her fingers down her throat and eventually puking.

In another scene, a door with a chain lock on the back of it opens, and blonde Angela, wearing heavy black eye makeup and lipstick, is standing outside in a leopard-print shirt and a black skirt, leaning against the door frame. She smiles and enters, locking the door behind her. "So," she says, sitting down. "I am a call girl. Yes. Does someone have a name? How much money do you got?"

Split-second shots of brunette Angela pole-dancing in a shiny pink outfit are shown. "I'll show you," blonde Angela says, before removing her leopard-print shirt and turning around to unfasten her bra. She reveals her breasts, one of which is pierced with a nipple ring, and then also takes off her skirt. She picks up a machete from the side table and poses in front of the mirror with it, holding it in one hand and cupping her breast in the other. She begins to move the blade closer and closer to her nipple.

Brunette Angela is shown crying and saying something along the lines of "I get fucked for money," before she appears suddenly peaceful after a jump cut, lying with her eyes closed. She is speaking softly, saying "I can speak slower than you. I can speak slowest."

Blonde Angela, now wearing the leopard-print shirt again, is lying in bed before a bright light is shone on her face and she seems to gasp in pain and arch her back. She sobs and rolls around in the bed.

The text 'EXECUTION 002 April 1, 1994' is shown on screen, and an Asian woman (named in the credits as Victim 2) is shown in black and white, crying and on a leash with her hair in her face. It is implied that this is another one of Angela's dreams, as the whole sequence is interspersed with shots of Angela lying sound asleep, the machete next to her in bed. Victim 2 is chained to a radiator and lying with her hands behind her back, her knees tucked up to her chest. She is only wearing stockings. Extreme close-ups of her face are shown, and her hair is grabbed, her head yanked side to side by a hand that also holds her chained leash. She pleads and cries as she is threatened with a machete held by an offscreen assailant.

Victim 2 is shown being dragged around on a floor covered in clear plastic. She is wearing braces in her mouth which are shown off for the camera as her lips are prised open by the assailant. She tries to hit at her assailant and continues to cry. The machete is held to her neck. "Please," she whimpers. Her leash is pulled on again, and the tip of the machete is traced down her face and over her lips. Blonde Angela is shown saying "Because you're fucking sexy."

Handcuffs are shown on the wrists of Victim 2 as she begins to wail and hold her hands to her face. This is also interspersed with split-second shots of blonde Angela lying in bed. Victim 2 is pulled up by her hair, which is interspersed with shots of blonde Angela being strangled. Victim 2 is shown being strangled by her leash and collar, and dragged across the plastic-covered floor once again, while an alternate shot shows blonde Angela crying silently, her hands at her face. There are more shots of Victim 2's face being pulled at, and blonde Angela's face being tilted up. Victim 2's bruised buttocks are shown, and she has a moment of relief from the endless touching and pulling, cowering against the radiator. This is short-lived, as someone wearing a plain white mask forces their hands into her mouth and pulls at her teeth while she cries. There are possibly two assailants in the room with Victim 2. The tip of the machete is forced into her mouth. Text onscreen says '10:47 p.m.', and Victim 2's face is carved up by the machete, and a smaller knife. This is shown in color. Her face is peeled off. She is still alive and whimpering. Her face is held up in front of her tauntingly.

Victim 2 is then shown lying on the plastic-covered floor, her hands bound behind her back. Shots of her face before the attack are shown- she is happy, smiling, and seemingly conversing with someone behind the camera. She nods to an unheard question, and then asks "So I'm on camera?" in a upbeat voice.

Blonde Angela is shown with her face pressed down against a bed. A slowed-down voiceover, seemingly from her, says something like "There's much more to this world than living here."

Angela's naked body is shown, with a man's hand using red lipstick to write on her stomach. He writes the word 'BLiSTERS' while Angela says "Don't hurt me."

"Don't what?" the man says, continuing to write.

"Don't hurt me," Angela repeats.

He laughs. "I would never hurt you," he says, finishing off the 'R' and 'S' in 'BLiSTERS' between Angela's breasts. "I respect you alive."

Brunette Anglela's face is shown in a close-up, whimpering and crying. She is then shown lying on her side in bed, wearing her leopard-print shirt. She has her hands tucked under the side of her face. "- sit there and look at me," she says. "Say these things at the same time."

"I would just take their money," she continues, beginning to cry. "I became a prostitute. Men would come into the bar and watch me dance. They would offer money to have sex with me. And men would pay me, and I would fuck them," she says, sobbing.

Blonde Angela is shown again in her heavy black makeup and leopard-print shirt. "If you want me to," she says to the person behind the camera, slowly blinking. "Who are you?" she asks. "My name is BLiSTERS."

A jump-cut shows her crying while being pinned down, and then lying still in bed with a bright light being shone on her. She is shown again, the black eye makeup faded and smudged. She is smiling "I care that you give me more money if you're happy," she slurs.

Blonde Angela is then shown in a different outfit, a beige shirt and no pants, as someone roughly grabs her hair. "I'm gonna earn my fucking money tonight. I'm gonna earn my fucking money tonight," she says, sniffing. She is shown having sex.

Brunette Angela is shown lying stomach down on a bed, facing the camera with her hands tucked under her chin. She is smiling and saying "I have a prescription for Lithium. I don't care that people are looking for me. I don't care that I'm a missing person. I don't want them to find me." She is suddenly shown being strangled. "I think I might have just popped a blood vessel," brunette Angela says in the next shot, sitting upright and prodding at her stomach.

Blonde Angela is shown crying while someone has sex with her.

Brunette Angela, lying in bed, says "I don't know- you just are.

Blonde Angela is shown being strangled while a distorted, slowed-down voice talks to her. Brunette Angela smiles and looks thoughtful before saying "Um, 'cos I don't feel that I deserve to stay here since I didn't really use the time I had adequately."

The shot of brunette Angela sitting upright in bed, saying "It's April 5th, 1994," from earlier in the movie is repeated, and then she is shown submerged in a bath, wearing a bikini, with a cord or a rope tied around her neck.

Blonde Angela is shown saying "I'm a very good call girl." She is then shown with someone's hand around her throat, whimpering, with her hair in her face. "What do you want me to do for you tonight?" she says, before being shown with no hand around her throat, her head limp. She says "I don't know what's left of me, but you can fuck it if you want. I don't know what I am."

She is shown being shoved down, and she proceeds to gag. She is also shown having sex, and shifting around in bed. She is then shown in the fetal position she was lying in earlier in the film, whispering "I don't care about anything. I don't care. I don't care what happens to me."

A clip from the analog tape recording shows young Angela in an outdoor setting, standing next to a tree. "I'm gonna be- I'm gonna sing this for everybody watching this on TV and even Hollywood."

Blonde Angela in the fetal position whispers "I don't care anymore."

She is shown sitting up and smoking a cigarette, speaking directly to the camera. "At the age of thirteen," she says, "I burned down my neighborhood church. I set fire to the church in my town and ran away from home." She says something about her 'pussy', and then says "Because I was a virgin."

"I started working the streets so I could make enough money to go to school. I had always wanted to be a ballerina. When I grew up, instead I became a stripper."

Brunette Angela is shown, nude, wearing knee-high shiny black boots, in a strip club setting, standing on a counter. Reversed music plays while she walks about on the counter. A blurry close-up shot of blonde Angela's face is shown, singing.

The reversed song continues as bruises on brunette Angela's hips and thighs are shown from the clip where she says "It's April 5th, 1994." Brunette and blonde Angela are shown in a few sexual positions, and blonde Angela is seen using her fingers to make herself puke into a toilet again. Wet gagging sounds accompany the reversed song.

A woman's face is shown in a compact mirror. She is applying mascara. The scene again returns to blonde Angela puking and gasping for breath. The shots of brunette Angela from the beginning of the film (wherein she says she would do anything for the person behind the camera, even die for them or kill for them) are shown again. Brunette Angela is also shown standing in a doorframe, facing the outside world, and getting her hair dyed blonde, strips of tin foil on her head. "Like butter, like butter," she says a few times.

Brunette Angela, wearing a black jacket and blue jeans, is shown sitting on a bed, folded double with her hair falling almost to the floor, gasping for breath. The song has stopped. Angela sits bolt upright, flinging her hair out of her face and holding the back of her neck with both hands. A close-up of her face, wet with tears and running mascara, is shown as she shakes her head slightly. She is then shown flopping backwards on the bed. "'Cos it makes you go mad, 'cos you have, like, thirty dreams in, like, a one point two second time span," she says to the camera, fiddling with her necklace.

Blonde Angela is shown in black and white, sitting against a bed, saying "-stick my pussy in their face, because you have to keep them interested in the whole song, and the boys wanna see sex."

She is then shown saying "I got drunk so that I can get up on stage and dance."

Still in black and white, she is shown naked, doing a provocative dance to distorted music.

Blonde Angela is shown with her smeared black makeup, saying "You did very bad things, and I drunk from a bottle, and that's why I drink." She is slurring her words here, so it is hard to make sense of. "'Cos I like to be drunk," she says, her voice dramatically slowed down. The shot of her puking is shown again, and extended. She is leaning over the toilet, gripping the bowl with both hands for support. The toilet is filled with brown, water-y vomit. She sticks her fingers down her throat and pukes again, this time an excessive amount, most of it liquid.

Brunette Angela is shown rolling over and falling off a bed. A shot of her in black and white shows her saying "I've been having dreams, and I've been feeling an energy."

A blonde woman (named in the credits as Princess Pam) in a white sweatshirt and necklace is shown in black and white, sitting in a dressing room type setting, talking about Texas, and remarking that it was "so far away from home." Her voice is distorted and slowed down. She talks about rodeos and laughs, saying "Texas is such a weird place!"

"I think I gained twenty pounds within the two months that I was there," she says. "So, I just started puking all the time and became bulimic. And so, I made myself really sick, and I was just constantly sick." She says something else that is warped by the distorted audio, and then: "After a while, I could just go right into the stall and just, like, lean over and puke into the toilet. Like, I didn't even have to use my fingers anymore." (She mimes putting her fingers in her mouth). "Like, I could just, like, spontaneously make myself puke." She gestures to her throat. "I used to have to, like, stick my fingers- y'know- like..." She continues to talk about this subject, though her voice becomes extremely hard to hear because of distorted screeching and a droning noise in the background. She gestures that she could fit her whole hand in her mouth, and laughs. On-screen text appears while she does this, reading 'princess: executed April 03, 1994'.

"I could stick my fingers way into, like, here, y'know," she says, continuing to mime the act. She continues to describe how she would make herself throw up, but this is difficult to make out with certainty. She says the word 'like' a lot of times.

"It wrecks your enamel," she says. "For a lot of girls, it strips your enamel, 'cos, it's like, you're putting acid in your mouth all the time. It's, like, gross. And then, like, I started puking up blood, and I was-". The next few seconds of audio are completely covered by the droning sound.

"And, uh," she continues. "I started puking all the way home." She is then shown being forced to her knees, a hand in her hair, and she is shown being strangled. Whereas she was candid and upbeat whilst discussing her bulimia, she is now terrified and gasps for breath while trying to wet her lips. She is shown being held still while an off-screen assailant uses a saw to cut through her upper arm, right below the shoulder. She does not cry, and just seems pretty out of it while this happens, looking down at the floor and breathing heavily.

In color, the aftermath of the arm-sawing is shown in blood splatters which cover the camera lens and obscure the view. Random split-second shots of brunette Angela's face, overexposed, are interspersed with these shots. Princess Pam's arm is eventually fully removed from her body, still in its sleeve. Brunette Angela is shown lying on the floor from when she fell off the bed, implying that this, like the other killings, is another of her dreams.

A liquid is poured on Princess Pam's wound. Her white shirt is cut off, revealing a blue tank top underneath, and giving a better view of where her arm is missing. Again, she is not crying, almost calm even, but when she looks at the bloody stump, she begins to scream, and further shots of her being strangled, while screaming, are shown. Her head is yanked around by her hair, and an acoustic guitar and microphone are brought out and placed in front of her. With the guitar in her lap, she looks confused and sobs. She holds the neck of the guitar in her hand while her stump bleeds over the rest of it.

Angela is shown listing medications. "Imovane, lorazepam, sulphonate, diazepam, lithium."

Princess Pam writhes around on a plastic-covered floor.

A man with earrings and stubble (named in the credits as Satanic killer) is shown, his face covered in blood. He speaks to the camera, saying something that sounds like: "Like, you think you're sane and beautiful." He lifts up the hem of his black, sleeveless t-shirt, revealing a golden belt buckle at the top of his blue jeans that says 'HENRY'. He uses Princess Pam's severed arm to wave at the camera and says "Hello!"

He also presses the hand against his face and mouths something at the camera. He puts the fingers of the bloodied hand down his throat and makes himself puke over a mirror. There is blood mixed in with the puke. He does this several times, until the mirror is completely coated, before waving the arm from side to side and placing it on top of a bin.

He has his eyes closed, and is not facing the camera. He says, "I'd like to get skinny, I'd really like to get skinny, but-"

He is then shown using the fingers of the severed arm again, gagging. He pukes, and a black and white shot of brunette Angela dancing while naked is shown. The film cuts back to Satanic killer puking, this time onto the severed arm, which is still resting on top of the bin. He does this again, and the vomit comes out of his nose this time as well, mostly blood. He pukes several more times, and another shot of Angela, naked and dancing, is shown.

Satanic killer is now sitting with one hand resting on his knee, and the other holding a glass mug. The bottom half of his face is still covered in blood. He pukes, half of it going onto the floor, and half of it into the mug. Once he fills the mug with red-ish vomit, he proceeds to chug it, which obviously results in him puking back into the mug. This happens three more times.

Blonde Angela is shown being grasped by the arm by someone off-screen. She is shown lying in the fetal position again, and then, naked, sitting on the side of a bathtub, holding her hair back as she vomits blood into a toilet.

Brunette Angela is shown lighting two cigarettes, and then pulling on a pair of knee-high, black, high-heeled boots. She has a tattoo on her lower back. She is seen fixing her hair in a mirror, and pulling on a black blouse, before applying either makeup to her face. She puts on dark lipstick, and then uses a pencil to outline her lips. She then uses a pencil to outline her eyes.

The analog tape of young Angela, outside, is shown. She is saying "You. Love. It. So beautiful." She also mumbles something unintelligible.

The film cuts back to adult brunette Angela, still applying makeup in the mirror. She is now using blush on her cheeks. She also does her eyeshadow and fills her eyebrows in with a pencil. Her hair is pushed back during this scene with a black headband. She collects something from a bag on the floor, and then leaves the room.

She is shown in silver lingerie, dancing on a counter in a strip club setting. She crawls across the counter on her hands and knees and raises one of her legs. She also flips her hair back and forth and extends her butt to the camera, before squatting and removing her bra. She circles a pole, her breasts now exposed, and continues her routine. Eventually, she pulls down her underwear and is now naked apart from the black high-heeled boots. Her routine continues. Visible bruises can be seen on her hips in this scene. The music (a nondescript rock track with heavy guitar) cuts in and out while she performs.

"And I just have the, um, feeling," brunette Angela says, now shown in a domestic setting, wearing a white, long-sleeved shirt, "that, um, I'm in trouble." A split-second shot is shown of her being strangled. The scene from the beginning of the movie, with an off-camera male voice asking her "Would you do anything for me?" and Angela nodding, is repeated. "Will you do anything I fucking say?"

"Anything you say," Angela confirms, grinning. "I'd die for you. I'd kill for you too. That'd be fun."

A black-haired woman (named in the credits as Victim 3) is shown having her throat cut, interspersed with shots of her crawling provocatively on the floor. Shots of Angela crying are also shown, in between extended shots of blood dripping down Victim 3-s breasts, stomach, thighs, feet, and onto the plastic-covered floor. She is sitting on a wooden chair. An extended shot of her neck wound is shown, the blood pouring out. She is shown dancing, her hands raised above her head, with her neck still pouring blood, and blood coming from her mouth. She is also shown kneeling and dancing before she eventually falls backward and is lying on the plastic-covered floor. She seemingly tries to prop herself up but is unable to. She writhes around on the floor for a bit, covered in blood.

A motel room is shown, and blonde Angela walks in before removing her clothes, the top garments first, and then her pants and underwear.

A man in a white t-shirt with a star tattoo on his arm (named in the credits as Victim 4) is shown puking blood onto a plastic-covered floor. He also has blood running from his ears, and he is on his hands and knees. He appears to have a bruised eye. He stumbles around, and is shown being strangled by a hand in a black rubber glove. He spits blood onto the camera lens. The hand manipulates Victim 4's face after he passes out. A power saw is brought out.

"I'm a prostitute, and I'm here to fuck," blonde Angela is shown saying.

Victim 4's head is shown being cut open with the power saw, blood dripping down his face. Extreme close-ups of Angela's face are interspersed with clips of Victim 4's forehead being cut into with a hacksaw. The top of Victim 4's skull is prised back, revealing his brain. This part of his skull and scalp is passed to Satanic killer, now shown wearing a red baseball cap and yellow-tinted glasses. Satanic killer is shown removing the Victim 4's brain from his head and taking a big bite from it. Satanic killer pukes blood, but continues eating it. He pukes several more times but this doesn't seem to deter him.

Blonde Angela is shown crying, being pinned down in bed.

Satanic killer pukes into Victim 4's open skull, which overflows, so puke runs down his face, though it is indistinguishable from the blood that already covers his face. A close-up of blonde Angela's face is shown, her mouth open as if screaming. Satanic killer chews the brain with his mouth open, showing it between his teeth. There is puke and blood on the camera lens. Blonde Angela is shown having sex, and brunette Angela is shown lying in bed, asleep. Satanic killer also begins to use his fingers to help him puke.

Brunette Angela is shown puking into a toilet again, and then leaning against the bathroom wall, crying. The young Angela from the analog tape is shown, and says something unintelligible to the camera.

The scene where blonde Angela describes burning down her neighborhood church is repeated. "I burnt down my neighborhood church. I set fire to the church in my town. I couldn't dance anymore. I was falling off the stage almost every night. I started working the streets," Angela says. "I was left. I was in the care of the Master. He would make me sit- and he would drink whiskey out of the bottle and confess his sins, and I would have to listen to him. He would drink whiskey, confess, and then lift up my skirt, and he thought that the blood- stick the bottle- and fluids were because I was a virgin, and he kept on confessing his sins while he would drink whiskey. I was thirteen. I was a source of purity. I burnt down my neighborhood church, granted him of his sins, and ran away from home. I had always wanted to be- when I grew up." This scene contains many quick cuts and overlapping voices.

Brunette Angela is shown talking to the camera in a white-tiled bathroom, flipping her hair from shoulder to shoulder, but the audio is cut in favor of a low drone. She holds up a wooden crucifix with a silver effigy of Jesus mounted on it, and removes her bra and underwear. She climbs into the bath, which is empty.

Scenes from Victim 2's death are shown, interspersed with shots of blonde Angela having sex while saying "God save him. Save." Blonde Angela, smoking a cigarette and wearing a snakeskin dress, is shown walking into the scene of Victim 2's death, in black and white. Princess Pam's amputation, and brunette Angela at the strip club, are also briefly shown, before Victim 2 is shown with her skinned face hastily positioned back on, with gaps around her eye-sockets showing the muscle beneath. The person in the plain white mask is also shown for a split second.

Blonde Angela, lying on her side in bed, wearing a leopard-print shirt, is shown in color, saying, "I kind of fell asleep. When I woke up, I was scared. I always have weird dreams." She is shown crying, and she says, "I'm dreaming about a monster."

She is also seen begging for help and being pushed around on a bed while crying.

"Money for me fucking you," blonde Angela says in a different clip.

Again, she is shown crying and pleading while seemingly being forced to have sex. She pulls a blanket over herself and is again shown in the fetal position. Close-ups of her face, shots of her undressing, further shots of her in bed, and the scene of her puking into the toilet are shown again.

Brunette Angela is shown saying, "I'm just not on earth as a human that is living." The bruises on her inner and outer thighs are shown again, and her dancing naked. Blonde Angela is shown being let into a motel room and unbuttoning someone's pants. "I don't know what's left of me, but you can fuck it if you want," blonde Angela says again. "Fuck me," she says.

Shots of Angela having sex are shown, and then a shot of her asking "Did I win the beauty pageant?"

"I used to be alive," blonde Angela says, as her face is pulled at by someone off-screen. "You're my customer," she says to someone before she is shown being strangled. She also says "I like fucking." A toilet filled with blood, Angela spitting over it, and brunette Angela in a pink shiny outfit at the strip club are shown. Again, she is shown having sex, and then is shown applying her eye makeup in a compact mirror.

Brunette Angela is shown with tears and black mascara running down her face. The on-screen text reads 'April 5, 1994'. Brunette Angela, in a brightly lit room, probably during the day, is seen saying: "Ok, for about twenty dollars, you can get a blow-job. If you want to rent an hour, that's sixty bucks. Um, that is over the top of the extra twenty for coming in the mouth. You can fuck me in the ass for sixty bucks." A distorted male voice off-screen says something, and Angela replies, her voice also distorted and possibly reversed. Close-ups of the bruises on her hips are shown.

Brunette Angela is shown looking at the camera and saying "I'm sure." She is then shown taking off a white tank top to reveal her breasts and lower back tattoo. She unzips her jeans and pulls them down slowly, before also pulling down her underwear. She is shown applying make-up in the compact mirror again.

Sexual sounds are heard, and a scuffle is shown, with Angela's wrists being grasped, but the camerawork is shaky and it's hard to make out what's going on. Angela is shown sobbing, and the scene where she introduces herself ("Hi, I'm Angela Aberdeen,") is repeated.

A close-up shot is shown of brunette Angela's badly bruised knees. "I go down on my knees a lot when I'm dancing," she says.

Someone in a plain white mask, a black wide-brimmed hat, and black rubber gloves is shown, and revealed to be Angela, as when they lift up the hem of their black t-shirt, Angela's breasts and nipple piercing are shown. She is shown carrying something in her mouth, and then, without the mask, she heads into the bathroom with a cord tied around her neck, her hair in a ponytail, and wearing a colorful bikini. She sits on the edge of the bathtub and begins to draw the bath. When it is full, she climbs in and lies down until she is fully submerged. Young Angela from the analog tape is shown, looking up at something. Adult brunette Angela is shown unmoving under the water as the bathtub continues to fill. Another clip from the analog tape of young Angela is shown, with undiscernible audio, as a reversed and distorted song is playing over the scene. She is on a path somewhere outdoors. "Come on," she says, and starts to head down the path. "We're going for a hunting trip." This appears onscreen in red text as subtitles ('We're going on a Hunting trip').

Adult Angela is seemingly running out of breath underwater. The cows from the analog tape are shown, with young Angela looking at them from behind a fence. She is also shown holding a flower outside, and her singing performance is shown again, the audio and footage reversed. Young Angela takes a bow and claps, and adult Angela is shown dead under the water in the bath, her eyes open. A police siren can be heard in the background.

Young Angela on the analog tape says "I'm gonna go up here now, bye!" She walks away down the path.